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Sinners

★½☆☆ – (2025) – Twin brothers buy property with stolen money and turn a sawmill into an entertainment venue, but local vampires gradually intervene. Racial undertones notwithstanding, 99% of what’s here has been seen plenty of times before. Character drama is sidelined for the same old monster scenarios already presented in The Howling and From Dusk Till Dawn, among others. Lack of uniqueness is one thing, but what sinks this is how painfully dull it is.

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Crimes of the Future (2022)

★★☆☆ – (2022) – In a world where humans feel no pain due to evolving organs, surgical procedures are enacted for potential entertainment. Not the easiest to describe, and certainly not an easy watch, but this has a strange, hypnotic quality that manages to maintain frequent attention. The production is top of the line, and the cast is eager, but this often seems odd for the sake of odd.

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Crimes of the Future (1970)

★½☆☆ – (1970) – In a world where women were killed off by makeup products, a man gradually develops a foot fetish. There’s a little more to this than one brief description, but not much. The slim plot moves at a snail’s pace, while the only sense of narration is told through a whispered voice over. Granted, it’s an experimental film, but even the most theoretical movies deserve a pulse.

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Final Destination: Bloodlines

★★½☆ – (2025) – A family that should never have existed is picked off by death itself after their matriarch is killed. Does everything you’d expect from this series, from creative deaths to expository dialog, but does so in a rather upbeat way. This could be the funniest entry, as it rarely takes itself too seriously while piling on one ridiculous kill after another (usually involving sudden head trauma).

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Girl House

★★½☆ – (2014) – A young woman moves into a manor where girls are willingly filmed (and sometimes killed) around the clock. Begins with the promise of plentiful smut and gore, but each aspect is mostly held in check throughout. Even though suspense is also lacking, this is a wholly watchable film with solid production values and better-than-average acting.

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Street Trash (2024)

★★☆☆ – (2024) – A few homeless people aim to stop a corporation from killing off bums with an experimental drink. While the practical F/X are nice and disgusting, they all involve characters who never amount to much, whether on the side of good or evil. There’s an awful lot of screaming throughout, leading to an obnoxious experience that all the goo in the world can’t save.

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