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Teenage Sex and Death at Camp Miasma

★½☆☆ – (2026) – A queer director is hired to reboot a horror series about a killer who was raised as a boy and a girl. Takes a meta approach to storytelling that tries to keep this from becoming an ordinary slasher, but neither the movie itself, nor the movie-within-the-movie works very well. The results aren’t as thought-provoking nor as emotionally complex as intended since the wussy music is a distraction against conventional angst, the killer’s air vent design is laughably distracting, while the whole point is swallowed up by an uneven narrative tone. Simply put: a mess.

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Night Harvest

★☆☆☆ – (2024) – Two couples on a road trip befall a killer who wears a pumpkin over his head. Oh, and for some reason one the characters can start fires with his mind. An all around waste of bandwidth since the participants say and do nothing of significance, yet act as though every move they make is insightful. Only has a few moments of violence, but there’s plenty of chatter among drab nobodies.

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Evil Dead Burn

★★☆☆ – (2026) – A young widow visits the family of her deceased husband only to discover their dysfunction has ties to demonic possession. Mainly gets by on violence and some neat camerawork, since there isn’t a single character worth cheering for. This is by far the lesser entry in the series mainly because the participants are just as despicable as humans as they are as deadites. Every moment is so dour and humorless that the weight of the depression gets tiresome fast, which ultimately leads to empty mayhem.

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Ice Cream Man (2026)

★★½☆ – (2026) – Kids who eat ice cream from the same vendor become possessed killers who slaughter every adult that nears them. A giddy show of violence that spills blood, intestines and puke all over the screen. It’s fun as such, and the teen/pre-teen actors aren’t bad, but the backstory, and only point of drama, is pretty lackluster. In all this is a goofy good time that’s short and moves fast.

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The Last Amityville Movie

★½☆☆ – (2023) – A man who receives a doorknob from a haunted house starts experiencing minor haunts. Acknowledges the vast amount of Amityville movies before becoming one, but the premise isn’t as clever as intended since it never provides finality as to why these movies exist nor why they absolutely should end. It’s just another cruddy Amityville movie with a misleading title.

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Once Upon a Time in Amityville

★☆☆☆ – (2024) – Bounty hunters seek a refuge in a haunted town. It’s hard to fathom how a film that only runs 71-minutes can cause such monumental grief. The main reason this equates torture is largely due to languidness. The diminutive cast does little but meander from one scene to the next while occasionally coming across a cheap effect. There’s simply no life to the proceedings, as though the digital imprint itself is dead.

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