– (2019) – A troubled young woman believes her dead mother is in her phone, and violently goes off the deep end. Won’t win awards for character depth, as only the lead actress is drawn, but there is some enjoyment thanks to a brisk pace and bloody instances. The conclusion, while preposterous, is somehow more bonkers than the set-up.
– (2020) – A man who’s too kind, too quirky, and too frightened for his own good investigates strange occurrences on Halloween. Begins as a well meaning and wholesome tale of an outcast protecting others, but by the mid-point becomes a trial of patience since the plot is so unabashedly weak. Humorous in spots, but the main highlight is the atmosphere.
– (1977) – A husky young woman uses her telekinesis to torment her enemies. The opening death should have been far more elaborate, and the rest feels the same. There are many good parts, but nothing stands out as significant. Has a solid twist toward the end, but also a lot of soap opera moments throughout.
– (2020) – A bullied teen makes a deal with a Greek myth to obliterate her wrongdoers. Opens eyes during moments of gore, but this is mostly dragged down by typical teenage shenanigans of the annoying variety. Piled high with horror devices that have been unoriginal for decades, and the look of the killer is cheap.
– (2017) – The students of Tromaville High continue to contend with radioactive adversaries of the mutant kind. The story is all over the place and never makes sense, but by now the plot in this series is hardly a cause for concern. This is the zaniest and most ludicrous of the bunch, and has some truly hysterical moments perhaps only Troma fans will recognize.
– (2019) – High school kids befriend a woman who lets them party in her basement, but she gradually becomes too involved in their lives. Works best when laying out insanity, but some occurrences are a bit on the silly side. The major problem is the antagonist’s motive, which doesn’t necessitate the brutal outcome.
– (2018) – A small group of young women form a coven to benefit themselves and ruin others. Does a good job showcasing bitchy girls with minor vendettas, but never creates a distinctive social point outside obvious horror tropes. Has some authentic humor, but is consistently routine.
– (2016) – Anthology of six stories that focus on a bullied teen, an evil spawn, a resurrected creature, fertility rituals, a family search, female revenge, a virtual reality device, and dual murderers, all taking place on separate holidays. Though there are brushes with amateurism and silliness, there are also moments of shock and tension. Nothing stands out as a classic, as even the best tales have lackluster outcomes, but this is enjoyable straight through.
– (1994) – A young man who’s mauled by a lion has his brain implanted into a mechanical dinosaur. As preposterous as the plot sounds, this actually sort of works because it knows exactly how stupid it is. Moves fast and blends eye-rolling comedy with some genuinely humorous moments. Sounds like a children’s movie, but is far more risque.
– (2018) – A zombie outbreak forces high school students to face the trials and tribulations of a vicious world. Begins as an ambitious musical with a few catchy tunes, but gradually forgets to include songs and focuses too much on common zombie tropes and a useless human villain subplot. Hits a few high notes, but ends flat despite emotional strives.