– (2017) – A young woman inadvertently summons a pissed off ghost and wades through one haunting after another. While this does have solid attempts at horror, none ever take hold since they’re always visions without consequences. Worst of all is the rampant stupidity, as characters seem to beg to be put in harm’s way.
– (2018) – A woman who can see ghosts returns to her childhood home to confront her original clash with evil. The overall idea might have looked good on paper, as there are a few horror ideas put forth, but one thing that couldn’t have been planned is the incredibly languid pace. Burns too slow for a fourth entry with no new inventions.
– (1981) – A group of vacationing friends tread upon a manor that contains a kooky old woman and her murderous son. Succeeds in areas of atmosphere within and around the main location, but succumbs to a dreary pace and undistinguished events. Has a lot going on, but takes too long to get to each action.
– (1982) – Nazis lure the women of a martial arts crew to an island where the dead consume females to survive. A strange and bombastic blend of fighting among humans and zombies that tosses in a ton of nudity along the way. Gets tiring after a while, and the low-level humor tends to kill the fun, but it’s nearly impossible to look away from.
– (2017) – The survivor of Hatchet III is trapped in a downed plane with those looking to bank on the legend of Victor Crowley. Despite a few lags, this has a ton of great jokes, awesome kills, and an overall sense of fun. Doesn’t reinvent the genre, but shows how to breathe new life into a fourth entry.
– (2017) – A small family moves into a notorious house only to find their invalid brother/son possessed by evil forces. Does what it can to link itself to the original film, but still isn’t any better than the slew of crap with “Amityville” in the title. There’s worse in this lame series, if you can call it a series, but this one turns anything potentially frightening into corn.
– (2017) – A man who dies avoids the great beyond and settles into his house where life passes him by. A quietly compelling experience that’s unlike any other film dealing with death, though some scenes would fare better if fast forwarded through. Unique in its subtle design, but in the end doesn’t punch hard enough emotionally to consider more than a moderate art house success.