Veronica

★½☆☆ – (2017) – A young woman inadvertently summons a pissed off ghost and wades through one haunting after another. While this does have solid attempts at horror, none ever take hold since they’re always visions without consequences. Worst of all is the rampant stupidity, as characters seem to beg to be put in harm’s way.

Bornless Ones

★★☆☆ – (2016) – A couple moves into a new home and, along with their friends, become terrorized by forces of evil. Not much here could be considered unique, though some of the gore is effective. Moves slow and the characters don’t grip, but at the very least some gruesome scenes are hard to watch.

Insidious: The Last Key

★★☆☆ – (2018) – A woman who can see ghosts returns to her childhood home to confront her original clash with evil. The overall idea might have looked good on paper, as there are a few horror ideas put forth, but one thing that couldn’t have been planned is the incredibly languid pace. Burns too slow for a fourth entry with no new inventions.

Ghostkeeper

★★☆☆ – (1981) – A group of vacationing friends tread upon a manor that contains a kooky old woman and her murderous son. Succeeds in areas of atmosphere within and around the main location, but succumbs to a dreary pace and undistinguished events. Has a lot going on, but takes too long to get to each action.

Raw Force

★★½☆ – (1982) – Nazis lure the women of a martial arts crew to an island where the dead consume females to survive. A strange and bombastic blend of fighting among humans and zombies that tosses in a ton of nudity along the way. Gets tiring after a while, and the low-level humor tends to kill the fun, but it’s nearly impossible to look away from.

Amityville: The Awakening

★½☆☆ – (2017) – A small family moves into a notorious house only to find their invalid brother/son possessed by evil forces. Does what it can to link itself to the original film, but still isn’t any better than the slew of crap with “Amityville” in the title. There’s worse in this lame series, if you can call it a series, but this one turns anything potentially frightening into corn.

A Ghost Story

★★½☆ – (2017) – A man who dies avoids the great beyond and settles into his house where life passes him by. A quietly compelling experience that’s unlike any other film dealing with death, though some scenes would fare better if fast forwarded through. Unique in its subtle design, but in the end doesn’t punch hard enough emotionally to consider more than a moderate art house success.

Clowntergeist

★★☆☆ – (2017) – A girl who’s afraid of clowns is haunted by the ghostly form of one. Hard to condemn since it tries to have commendable characters and horrific moments, yet the payoff is lost to confusion in the skittish plot. Rather stupid and annoying, and the villain isn’t exactly menacing.

Ghost House

★½☆☆ – (2017) – An engaged couple visiting Thailand become haunted by the ghost they inadvertently piss off. While strives for horror and meaning are presented, each and every occurrence has been put to better effect in superior films. The drama is stiff while the terror often comes across as comical.