– (2012) – A young scientist brings his dog back to life, sparking an influx of resurrection mayhem. Has a whimsical and emotional beginning, but gradually piles on too many subplots that distract from the heart of the story. Innovative and busy, but lacks focus which ultimately harms the sentimental depths.
– (2011) – Three friends break into an old woman’s house to steal her treasure, but uncover some savage secrets. Has a dark and moody tone that fits the subject matter, while some of the horror is viciously inventive. The main downside is the frustration in having no idea how or why anything related to the focal point is happening.
– (1963) – A doctor develops the ability to see through people and objects, yet can’t figure out what to do with his power. A premise that could have been fun is instead ruined as the lead gradually becomes more and more of a jerk. Unfocused, to say the least, but the variety of ideas does keep things moving.
– (2014) – Zombies with soft skulls force the non-infected to outlast them by any means. Has a lot going on, moves fast, and is well-made from a directorial standpoint, but the story is a common drag. Emotional and humorous situations feel forced, and nothing relevant is known of any character aside from brief flashbacks.
– (1973) – A man with the power to extract souls from the living and put them in the dead helps resurrect someone’s wife. Though the premise is far from ordinary (unless you’ve seen The Asphyx) the handling of some serious conditions too often come across as hammy. A breeze to watch, but does succumb to silliness and repetition.
– (1973) – A scientist discovers a skeleton with ties to the start of man, and experiments on his own daughter to ascertain its uniqueness. Begins with a strong premise, but too much time is wasted before getting to the inevitable (and weak) creature conclusion. Has a great production design, and a great cast, but feels longer than it is.