– (2017) – A man who dies avoids the great beyond and settles into his house where life passes him by. A quietly compelling experience that’s unlike any other film dealing with death, though some scenes would fare better if fast forwarded through. Unique in its subtle design, but in the end doesn’t punch hard enough emotionally to consider more than a moderate art house success.
– (1991) – A geek is coaxed into entering a haunted house attraction that contains an escaped killer. The concept holds promise, but the execution has no idea whether it wants to provide thrills or comedy, and ends up featuring neither. Taking place on Halloween helps, but nothing that occurs holds any weight.
– (2016) – A small group of friends film themselves as they talk about fear near an infamous haunted house. Doesn’t seem to know what it wants to do, as it’s never clear why the characters search for a house they never enter (until the lame finale). One half is a POV confessional of an irritating actress, the other half is a blatant Blair Witch ripoff. Both try patience.
– (2016) – A girl goes missing from a boarding house in Amityville. The plot is nearly impossible to discern since every line of dialog is an exercise in how not to speak, and is often spoken alongside music of equal volume. This is clearly the work of someone with a camcorder, five dollars, and friends who are willing to ruin their low-level acting careers in one fell swoop. Ugly, erratic, and irritating.
– (2015) – A group of friends stop at a house in Amityville, NY that has ties to Salem, MA. A pathetic attempt to cash in on notorious New York murders when it’s perfectly clear this is not a New York production. The characters, and everything they do and have happen to them, are useless, bland, and pedestrian.