– (2019) – Notorious serial killers reassemble to continue their deviant ways. The first hour is an absolute riot that builds on the lore of the main cast while furthering their inventive insanity. The second half, however, merely mimics the third act of The Devil’s Rejects. Still, there are plenty of reasons to rejoice over the resurgence of characters whom are at their best when behaving their worst.
– (2013) – A hopeful bride is resurrected to avenge herself against the hillbillies who killed her and her cheesy boyfriend. About as bad as a movie can get since every movement is unnaturally forced, from the godawful love story to the even worse crime story. A joyless pile of ineptitude that only manages to amuse during moments of blatant stupidity.
– (2019) – A group of friends reunite 27 years after battling an evil force that feeds on fears. Does a good job showcasing an assortment of unique F/X sequences, but the human element is too shallow. The kids have become types, and by focusing too much on their past the reasons to save their hometown in the present is lost. Entirely too long, and could have used less false scares against characters we already know survive their childhoods.
– (2018) – Psychotic moments are exchanged in a small circle of cellists. Almost succeeds as a unique horror experience, but for every shocking moment there are several of blinding stupidity that almost render this a comedy. Would have worked better if no character spoke and the actors practiced their parts.
– (2016) – Anthology of six stories that focus on a bullied teen, an evil spawn, a resurrected creature, fertility rituals, a family search, female revenge, a virtual reality device, and dual murderers, all taking place on separate holidays. Though there are brushes with amateurism and silliness, there are also moments of shock and tension. Nothing stands out as a classic, as even the best tales have lackluster outcomes, but this is enjoyable straight through.
– (2019) – Family members of the original film’s victims seek revenge against their adversary and her daughter. The concept holds promise by tying in decades of rage, but most of what occurs brings that notion to incredible lows for three reasons: (1) the characters are impossibly obnoxious; (2) the plot becomes a pale retread of Part One; (3) the two-and-a-half hour length is about two hours too long for such a scant, poorly written script. Why 148 minutes? WHY!?
– (2019) – A soul-infused car attacks those who killed its owner. Has little to do with the vehicle in question, and plenty more regarding a villian who creates an assortment of cyberpunk henchmen. Neither aspect works. This wants to be cool, but by trying too hard to become cool this turns into a hot pile of dung.
– (2018) – Anthology of five stories that focus on a twisted office party, demon knights, yuletide psychosis, a vengeful reindeer, and an alternate reality. The black box theater setup is different, but the stories themselves are bland and uninspiring. Most stories have no resolution, making this feel like a collection of thrown away ideas.
– (2018) – College students renovating a remote sorority house encounter a leprechaun who was killed nearby 25 years prior. Though some humor works, and the brushes with darkness are sometimes commendable, too much of this is silly and rather annoying. Mostly drab and unoriginal, but occasionally does something noteworthy.
– (2018) – A killer freed on a technicality is lynched, but returns to settle the score. A by-the-numbers slasher film with all the elements you’d expect from sub-par horror. What sinks this is the dialog, which tries to convey plot and emotion but comes across as rambling.