– (2018) – A team of female scientists and soldiers venture into a dimension nobody returns from. Has much to do about science terms and interdimensional mythology, but most of the occurrences come down to grand scale mumbo-jumbo. Offers a moment or two of tense violence, but this is mostly drab and soulless.
– (2016) – A group of soldiers take on the zombie armageddon with much glee and cursing. This is one of those occasions where if you don’t laugh within the first five minutes, you won’t laugh at all (unless you’re high). Constantly attempts jokes amid a common horror backdrop, but aside from a chuckle or two, nothing is funny and the bro jargon gets old fast.
– (2008) – Radio station personnel become involved in an infection that turns people into rabid killers. If you come for the horror you’ll be disappointed in that most of this is comprised of unintriguing characters and misplaced comedy. Has much to do about soundwaves, but not much else to hold interest.
– (2014) – Zombies with soft skulls force the non-infected to outlast them by any means. Has a lot going on, moves fast, and is well-made from a directorial standpoint, but the story is a common drag. Emotional and humorous situations feel forced, and nothing relevant is known of any character aside from brief flashbacks.
– (2006) – After a toxic attack in Los Angeles, a woman returns home and finds herself locked out by her husband. Gets off to a tense start involving the distant assault, then settles into some illogical and mundane patterns. The final act, however, builds on emotion before slapping you across the face with one hell of an unexpected finish.
– (2017) – An already dysfunctional office becomes a violent free for all when the staff is infected by a virus that feeds on emotion. Offers a unique spin on a tired infection genre, but still has too many typical areas. Wears thin by the mid-point, and tends to drag as events become more predictable.