– (1985) – Men, both living and undead, vie for a resurrected woman. Hard to consider a narrative film since the so-called story is all over the place and no discernible characters are focused on. Instead of a plot, we’re treated to a silly conglomeration of empty moments.
– (1980) – A butt ugly podiatrist takes a serum that turns him into a handsome killer. On one end everything that transpires is kind of pathetic, but on the other end the jokes are taken to unseen degrees of absurdity. Zaniness is one thing, but that the film means so little in a dramatic sense explains its obscurity.
– (2019) – A family relocates to a town near ancient grounds that can return life to the deceased. Seems to have been created for the sole purpose of playing against the original film, but in doing so creates unpredictability in characters and their grim plights. Sometimes uneven, but more often that not will shred nerves and provoke emotions.
– (2018) – When lost in the jungle, a group of tourists take shelter in a temple where Nazi experiments are held. Has horror moments that pit various zombies against stereotypical characters, and they’re never afraid to spill blood. The main downside is the pace, as too many inactive spots linger and repetition arises near the end.
– (1967) – A waitress leaves her trade to work for a carnival, and eventually becomes what the titles suggests. Hard to follow in that there’s either mindless chatter between dull characters, or lingering shots of carnival attractions. The “shock” ending is anything but, as it comes out of nowhere and makes little sense.
– (2017) – A couple of lycanthropes uncover an alien plot of impregnating humans through beer. Has a lot going on and moves fast (a little too fast at times) yet somehow bores because none of the zaniness amounts to anything. Tries hard to please, but one probably has to be stoned to find full enjoyment.
– (2017) – The survivor of Hatchet III is trapped in a downed plane with those looking to bank on the legend of Victor Crowley. Despite a few lags, this has a ton of great jokes, awesome kills, and an overall sense of fun. Doesn’t reinvent the genre, but shows how to breathe new life into a fourth entry.
– (2018) – A detective investigating a serial killer gets tied up with the judgmental forces of Hell. An ugly production that at first piles on a ton of gore only to abandon such elements for common cop fodder. Seems to head nowhere, but the final act does have a few unexpected turns. Not great, but not nearly as bad as some other entries.
– (1988) – Someone or something is sucking out human brains through eye sockets, and a rock band is taking the blame. A so-so mystery that shows unusually high forms of narrative for a film with no budget. The characters are somewhat fleshed out, while the horror leads to an outlandish conclusion. Cheap fun.