– (2018) – The spirit of a dead serial killer possesses a paranormal investigator. Has the gall to believe anyone is longing for more Camp Blood movies, and has even more of a nerve by expecting anyone to want this cruddy series to continue. There’s simply nothing new here, and it’s all stunningly cheap, horribly acted, and misses the mark in providing any fun.
– (2017) – A group of friends and a hiker tread upon a camp (someone’s backyard) where a killer is lurking. A paint-by-numbers no-budget effort that’s been seen a thousand times before and will be seen a thousand times again. Only runs an hour, and does have a few unintentionally funny moments.
– (2014) – Students enter the domain of a notorious killer only to become the target of another murderer. Has moments that resemble an actual movie, but most of this is shoddily constructed. The F/X are particularly bad, but at the very least a credible body count is attempted.
– (2016) – A pregnant woman is stalked by a mysterious female who kills anyone in the way of her obtaining a baby. The first two thirds follow the basic pattern of the (vastly superior) original, while the new conclusion in nothing short of a travesty. Badly acted throughout, but the biggest crime is losing every single trace of the first film’s point by relying on a safe outcome. A waste.
– (2018) – A few friends try to stop an old woman from killing children on Halloween. The horror aspects pretty much stink, since the whole idea is nothing new, and the lack of any police activity is simply preposterous. However, the first forty minutes are filled with genuine moments of humor, so not all time is wasted.
– (2018) – A zombie outbreak forces high school students to face the trials and tribulations of a vicious world. Begins as an ambitious musical with a few catchy tunes, but gradually forgets to include songs and focuses too much on common zombie tropes and a useless human villain subplot. Hits a few high notes, but ends flat despite emotional strives.
– (2019) – Three men with comic book character traits sort out their good vs. evil issues in an asylum. The attempt to combine Unbreakable with Split never gels because in any remotely realistic situation these men would never be allowed to co-exist in close proximity. Couple that with the worst security in film history and we’re left with a dim story that moves too slow and ends without bestowing a single emotional trait.
– (2018) – A three-headed serpent is summoned to take down a dormant Godzilla. Sounds like a monster movie, but this really isn’t since Godzilla is hardly around and barely moves when he does show up. Most of this consists of verbal diarrhea from droll characters who splurt one philosophical rant after another.
– (2018) – A group of friends attend a festival of fabricated frights, only to find someone authentically stalking them. The premise has the makings of a decent slasher, but the output is too irritating and dopey to hold in higher regard. Gets dimmer as it goes and becomes too predictable to offer any true frights.
– (2018) – Humans aim to destroy Godzilla to restore Earth’s environment to habitable conditions. The few monster moments are okay, but 95% of this consists of characters rambling on and on and on about what should be done instead of actually doing it. A mighty bore that even seasoned fans will yawn through.