– (2015) – A girl summons an “imaginary” Krampus to kill anyone she deems bad. Though this is a valiant attempt at a twisting mystery, some events are downright confusing while the pace is glacial. There isn’t much horror, but some of the smut might keep one from shutting this off.
– (2018) – A disgraced rescue diver attempts to save a deep sea crew from a massive shark. A long, rambling chore that isn’t unlike any other cliche riddled SyFy channel monster movie, only this one somehow garnered a massive budget, none of which focused on the script. A colossal bore with vacant characters and bland action.
– (2015) – A man who’s obsessed with Anne Hathaway hires, films, and brutalizes actresses who resemble her in preparation for his desired meeting with her. The premise is unique, and the found footage aspect works, but even at only 87-minutes this tends to drag. Has a few unnerving spots, but the uneven pace and repetition make this easy to drift away from.
– (2015) – Anthology of intertwining stories that all have to do with the darkest sides of the ungodly. Has the same structure as Trick ‘r Treat, and though it’s not as tightly wound, this one has plenty of frights and shocks to call its own. There’s virtually no emotional connection to any single character, but what they’re put through is often grueling to watch. Not for the faint of heart.
– (2018) – Giant monsters invade Earth with aid from corporate scum, and it’s up to youth-controlled robots to bring them down. Exactly on par with the first film, from rancid dialog to slapdash action to the feeling that a lot of money was wasted during production. An obnoxious, empty headed children’s movie.
– (2018) – A priest and a prospective nun investigate a suicide at a convent and slowly unravel a dark secret. Despite showcasing stark atmosphere and ghoulish imagery, there’s not much happening here storywise. This is by-the-numbers religious hodgepodge with an underused and unscary villain. Another Conjuring spinoff letdown.
– (2012) – A young scientist brings his dog back to life, sparking an influx of resurrection mayhem. Has a whimsical and emotional beginning, but gradually piles on too many subplots that distract from the heart of the story. Innovative and busy, but lacks focus which ultimately harms the sentimental depths.
– (2018) – A team of female scientists and soldiers venture into a dimension nobody returns from. Has much to do about science terms and interdimensional mythology, but most of the occurrences come down to grand scale mumbo-jumbo. Offers a moment or two of tense violence, but this is mostly drab and soulless.
– (2018) – An emotionally pulverized Laurie Strode helps her estranged family outlast the lunatic who ruined her life. Does a great job catching up with the original’s heroine, as we’re invested in her plight from the start. Some advancements aren’t logical, and the pace isn’t pinpoint, but Michael Myers is in top diabolical form and there’s plenty of tension spread throughout.