– (1971) – A scientist who experiments with female cells becomes a murderous woman. Walk a fine line between goofy and creepy, but never gets too deep into either realm. Rather mundane, but isn’t hard to sit through.
– (2017) – Chucky seeks out the previous film’s survivor in a mental institution, with the ability to replicate himself. Has a cleverness that sets it apart from other entries, and Chucky’s a hoot when he actually appears. The main problem rests with the human characters who are either too bland or fail to do anything progressive. Somewhat fresh for a seventh entry, but the series has gotten stale.
– (2016) – A man in therapy tries to deal with his own conditions while socializing with sketchy people. The plot aims for intrigue in structure and tone, but the pace is too slow and the acting too hammy to pull it off. Has parts that aren’t bad, but as a whole ultimately aims for more shocks than meaning.
– (2015) – A man who hears voices attempts to kill the daughter of an artist who’s hearing the same voices. Has a relatively strong family dynamic, and a frustratingly cruel villain, but too much happens too fast to become emotional attached to either. Gets under your skin at times, but misses the mark in others.
– (2016) – The survivor of the previous entry watches a movie with her mother and recounts past footage to a shrink. One of the laziest, ugliest, and least resourceful heaps of dung to ever disgrace an internet stream. Built on scenes from other lousy movies, while anything new is preposterously inept.
– (2014) – Nazis are separated from one another ensuing a plane mishap and end up in woods where cannibals dwell. Runs 96 minutes, but if you remove all the slo-mo shots this would easily lose a half hour. Though a few rants are humorous, there are more close-ups of butt cheeks than anything that advances an actual plot.
– (2016) – A pregnant woman takes orders to kill from her unborn child. The concept is promising, but the payoffs fail since A) the lead doesn’t try to stop what’s happening and B) she kills people who don’t deserve to die. Will perhaps strike a cord with the pregnant and moody, but for the rest of us this is merely a soulless experience.
– (2017) – A man with 23 personalities kidnaps three girls and forces one to oppose him. Follows a repetitive path of showcasing imprisoned victims and therapy sessions of their captor, but each is equally vapid. Never intriguing, never frightening, and never presents a reason to care about anyone involved.