Glass

★½☆☆ – (2019) – Three men with comic book character traits sort out their good vs. evil issues in an asylum. The attempt to combine Unbreakable with Split never gels because in any remotely realistic situation these men would never be allowed to co-exist in close proximity. Couple that with the worst security in film history and we’re left with a dim story that moves too slow and ends without bestowing a single emotional trait.

The Invitation

★★☆☆ – (2015) – A couple is invited to a reunion where cult members introduce them to their way of life, but (at first) don’t press their agenda. An incredibly slow builder that sprinkles in enough intrigue throughout to hold attention. Has a few brushes with suspense, but ends with a purpose that’s shattered by the overall lack of human emotion.

Alleluia

★★★☆ – (2014) – A couple that manipulates themselves travel around to financially deceive others, yet their plans always end up in violence. Not easy to explain, which is great since it’s also difficult to know what will happen from one scene to the next. Pulls you along with a firm, psychotic grasp from startling start to disturbing finish.

Resolution

★★☆☆ – (2012) – A junkie’s friend attempts to detox him in the house where he’s squatting, but finds trouble of the strangest varieties. Seems to confuse on purpose, which is fine since the quirks are easy to sit through. The main problem is how tiring the druggie becomes only moments into the film. Odd, but hardly gripping.

13 Tzameti

★½☆☆ – (2005) – A repairman becomes involved in a dangerous ring of Russian Roulette. Gets off to a painfully slow start before reaching the core of the story 45-minutes in. After that, even the highlights are repetitive and nothing about any single character is ever explored.

Blue Ruin

★★½☆ – (2013) – A young man returns home after killing the person who murdered his parents, and finds trouble with a vengeful family. Has a few scenes with stomach twisting shocks, and there’s always a need to see how things pan out. Not always on point, however, as some events lean toward the predictable/illogical side.

Deadgirl

★★½☆ – (2008) – A deceased young woman who’s not really dead complicates the lives of derelicts and their bullies. Though there’s a lot of confusion in the rules at hand, enough twisted and violent acts occur to mark this as a success. Would have worked much better if any single character weren’t so despicable or weak.