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Amityville Frankenstein

★☆☆☆ – (2023) – A doofus eats snacks while watching a show where two guys walk through a house. Has barely anything to do with Frankenstein, while Amityville is only used for title purposes. This is basically a cruddy art film tucked within a cruddier attempt at comedy. Barely registers as a movie, and only runs an hour, though I’d rather have spent that time getting gum out of my hair.

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Where the Devil Roams

★☆☆☆ – (2023) – During the Great Depression, a family of carnies travel about while killing those who take them in. Lauded by some for its atmosphere, but I’d just as soon look at a snowy post card than sit through this again. Has brushes with decent gore, but the pace is a slog and the characters never do anything to write home about. As for the dialog? Ugh. So pretentious.

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The Sacrifice Game

★★☆☆ – (2023) – A small group of demon seekers hole up in a boarding school only to have their demonic expectations subverted. The story itself isn’t too bad, and the twist mostly works, but the insufferable characters drag this down. The initial antagonist tries to terrorize but only comes across as a colossal douche, while the second antagonist does little more than not blink. Still worth a gander for some teeth-gritting violence.

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It’s a Wonderful Knife

★★½☆ – (2023) – A young woman who wishes she was never born one year after murdering a serial killer enters an existence where the killer is still active. Has a great premise that works well in the initial stages, but gradually becomes convoluted and pretty drab. However, there are a few memorable moments, a goofily sinister Justin Long, and a rather touching ending.

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The Wrath of Becky

★★☆☆ – (2023) – A young woman who once survived an assault from Neo-Nazis seeks revenge against a group of degenerates who kill her guardian and steal her dog.  Strives to become a tongue-in-cheek John Wick homage, but is so stupendously unrealistic that John Wick resembles a documentary by comparison.  Nothing in this film could ever actually happen from the vigilante’s standpoint, but the acting is good and some of the comedy works.   

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