Godzilla: King of the Monsters

★★☆☆ – (2019) – Giant monsters are unleashed to deplete the world population, but they’re more intent on wiping out each other. The human characters are forgettable thanks largely to a stale and corny script, but fans of the series won’t care. The entire point here are the F/X filled action scenes, which are pretty effective when not too dark or discombobulated.

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Edge of Tomorrow

★★★☆ – (2014) – A reluctant soldier is forced to relive his dying day over and again in order to figure out how to save the world from an alien invasion. A successful blend of Groundhog Day and Starship Troopers that has plenty of innovative ideas to call its own despite combined ideas. A tad dry in the area of soul, but packs in plenty of action wallops atop some truly humorous moments.

19 total views, no views today

The Meg

★☆☆☆ – (2018) – A disgraced rescue diver attempts to save a deep sea crew from a massive shark. A long, rambling chore that isn’t unlike any other cliche riddled SyFy channel monster movie, only this one somehow garnered a massive budget, none of which focused on the script. A colossal bore with vacant characters and bland action.

6 total views, no views today

Pacific Rim: Uprising

★½☆☆ – (2018) – Giant monsters invade Earth with aid from corporate scum, and it’s up to youth-controlled robots to bring them down. Exactly on par with the first film, from rancid dialog to slapdash action to the feeling that a lot of money was wasted during production. An obnoxious, empty headed children’s movie.

9 total views, no views today

Frankenweenie

★★☆☆ – (2012) – A young scientist brings his dog back to life, sparking an influx of resurrection mayhem. Has a whimsical and emotional beginning, but gradually piles on too many subplots that distract from the heart of the story. Innovative and busy, but lacks focus which ultimately harms the sentimental depths.

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Frankenstein’s Bloody Terror

★½☆☆ – (1968) – Vampires and a werewolf come to blows at Frankenstein’s castle. A complete mess that makes absolutely no sense thanks largely to editing that appears to have been accomplished with a lawnmower. Some of the rare spots of horror are worth a gander, but the rest is mercilessly dull.

8 total views, no views today

Resident Evil: The Final Chapter

★½☆☆ – (2017) – A woman who’s been battling a corporate viral outbreak for many years returns to the epicenter of her problems to end all the madness. Follows the same formula as the previous entries by placing computerized technology over any human traits. A jumbled mess that has no flow, no involvement, and no reassurance that this is actually the end.

12 total views, no views today

Underworld: Blood Wars

★½☆☆ – (2016) – A vampire in a shiny leather coat aims to stop her kind from fighting werewolves in shiny leather coats. Yet another preposterous, pompous, and pretentious entry in a never-ending series that continues to take itself too seriously despite a severe lack of originality. Bloated CGI mumbo jumbo for an audience that couldn’t possible be asking for more entries.

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The Bubble

Bubble, The

★★☆☆ – (1966) – A married couple and their newborn become trapped in a town that’s capped by a dome. The set-up has intriguing moments that make you wonder why the town’s citizens are robotic, but the theme becomes monotonous in a hurry. Mostly illogical and ends with confusion.

8 total views, no views today