– (2013) – A young man on vacation in a foreign land is attacked by, and gradually becomes, a vampire. Has the authentic feel of a reality show in the early stages, and the lead’s slow dissolve into vampirism is effective. By the end, however, anything insightful becomes routine, and the found footage gimmick feels unnecessary.
– (2016) – A naked force of absolute evil makes life painfully difficult for the few people in her terrain. Gets off to a pitiful start before the horror takes over and the failed attempt to create credible characters wanes. The plot makes no sense, but the violence is so unabashedly disgusting it’s hard not to cringe or squirm through the impressive second half.
– (2013) – Jewelry store robbers, one of their young sons, and a cab driver end up the targets of witches who plan mankind’s fall. Begins as a humorous heist film with no traces of horror, but waiting for the witch scenario to take flight is worth the effort. Eventually does whatever it wants to do to provide shocks and humor, and ultimately stands out as a mark of pure lunacy.
– (2017) – Partygoers become stranded in the desert realm of an ancient, murderous tribe. On the upside, a lot happens at a brisk pace. On the downside, nothing that happens is very enjoyable as the obnoxiousness reaches high levels of irritation. The violence and sleaze are okay, but there’s an awful lot of yelling, screaming, and music played at equal volume.
– (1978) – A magical author and a vampire manipulate the minds and necks of women. A second version of Lucifer’s Women that adds new scenes of horror hokum and in turn loses the smutty highlights of the initial version. Still doesn’t make much sense, but has enough going on to not consider a complete failure.
– (2016) – A troubled woman learns her role in monster attacks that are befalling Seoul. A unique and refreshing spin on giant creature movies, complete with highly involving characters and a plethora of surprises. Some of the dramatics are on the stiff side, but when all is said and done there’s nothing quite like this, which is a great thing.
– (2017) – A mute woman falls for a creature the government is holding captive as a means to win the space race. Certainly unusual, and does a great job creating sympathy for the central characters. For every moment of wonder, however, there are those of silliness and predictability. A B-movie with art house sensibilities.