– (2018) – A few friends try to stop an old woman from killing children on Halloween. The horror aspects pretty much stink, since the whole idea is nothing new, and the lack of any police activity is simply preposterous. However, the first forty minutes are filled with genuine moments of humor, so not all time is wasted.
– (2018) – A group of friends attend a festival of fabricated frights, only to find someone authentically stalking them. The premise has the makings of a decent slasher, but the output is too irritating and dopey to hold in higher regard. Gets dimmer as it goes and becomes too predictable to offer any true frights.
– (2018) – An emotionally pulverized Laurie Strode helps her estranged family outlast the lunatic who ruined her life. Does a great job catching up with the original’s heroine, as we’re invested in her plight from the start. Some advancements aren’t logical, and the pace isn’t pinpoint, but Michael Myers is in top diabolical form and there’s plenty of tension spread throughout.
– (2017) – Old people quest to save young people from the ghostly terrors of a Halloween party. The characters are deplorable, and the plot is flimsy beyond belief, but unlike the previous entry this one actually has Halloween atmosphere. Ambitious and fast paced in the last half, but it’s never funny, never original, and never believable.
– (2016) – A pain in the ass “woman” who intends to shut down a frat party is haunted by “her” foes. Has virtually nothing to do with Halloween, and far more to do with family values. Sort of has a plot at first, but resorts to one preachy rant after another and provides nothing but ancient lessons.
– (1991) – A geek is coaxed into entering a haunted house attraction that contains an escaped killer. The concept holds promise, but the execution has no idea whether it wants to provide thrills or comedy, and ends up featuring neither. Taking place on Halloween helps, but nothing that occurs holds any weight.
– (1985) – A high school student looking to lose his virginity is bitten by a female vampire who won’t leave him alone. Moves incredibly fast and has plenty of outlandish moments, but the humor is rather stale and the plot too flimsy to worry about. Shows signs of Jim Carrey’s bright future, but here he’s as underplayed as all the other characters.