– (1980) – A mysterious woman, a black cat, and the undead make trouble for people who are often naked. Doesn’t have much a plot to talk about, as this is more concerned with occasional sex scenes, some of which are hardcore. Don’t get excited, though, those scenes are as bland as everything else.
– (2017) – A woman with car issues becomes stranded in a vacant area where the living dead outnumber the living. While this does attempt a variety of action and horror scenes, they’re so badly constructed it’s often hard to tell what the overall point is. Whitney Moore is easy on the eyes, but the rest of this is rather repugnant.
– (2017) – An ancient evil is unleashed in the form of an Egyptian woman, and it’s up to archaeologists to stop her. Gets off to a decent start with some excitement and humor, but hits the brakes halfway through, adds one subplot too many, and stops making any sense. Worsens by the minute, and continually loses focus.
– (2016) – While trying to determine the cause of death of an unknown woman, a pathologist and his son unleash evil forces. For every instance that makes you say, “Well, duh,” there’s another that makes you say, “Oh, s**t!” Has some truly unique and tense inclusions, but isn’t exactly flawless in its logic.
– (2016) – A father accompanies his daughter to see her mother while a viral outbreak turns humans into bloodthirsty killers. Yet another not-quite-a-zombie yarn that might as well be called 28 Days Later on a Train. Does have some credible character moments and scenarios, but the been-there-done-that vibe turns attempted emotions into schmaltz.
– (2017) – A woman who’s been battling a corporate viral outbreak for many years returns to the epicenter of her problems to end all the madness. Follows the same formula as the previous entries by placing computerized technology over any human traits. A jumbled mess that has no flow, no involvement, and no reassurance that this is actually the end.