– (2019) – The dead are on the rise in a sleepy town, prompting its citizens to embellish their decapitation skills. Sets up a doomsday scenario that offers promise, but the outcome is crippled by a complete lack of originality. Too slow, too familiar, and worst of all, too unfunny. While you’re not laughing, good luck finding any character worth caring about.
– (2019) – A family relocates to a town near ancient grounds that can return life to the deceased. Seems to have been created for the sole purpose of playing against the original film, but in doing so creates unpredictability in characters and their grim plights. Sometimes uneven, but more often that not will shred nerves and provoke emotions.
– (1988) – A warrior and a princess set out to claim one of two stones before an evil ruler gathers both. Has a few eye opening moments of the lamest varieties, but most other progressions are mundane. Doesn’t last long and moves relatively fast, although the only highlights are ones the creators shouldn’t be proud of.
– (1987) – A warrior and a princess aim to reclaim her kingdom from a clone created by an evil magician. There’s a goofy charm persistent throughout, which is a major saving grace since this is pretty dry even with the campy tone. Swords, sorcery, and zombies and in supply, but the plot sustaining them is a bit too thin.
– (2018) – U.S soldiers trapped in Germany discover Nazi experiments that bring the dead back to life. Gets off to a rip roaring start (that mimics Edge of Tomorrow) before settling onto a long path of mediocrity. Not the first of its kind, and won’t be the last, but somehow won critics over despite offering nothing fresh (the Dead Snow and Outpost films provide just as much).
– (2018) – A zombie outbreak forces high school students to face the trials and tribulations of a vicious world. Begins as an ambitious musical with a few catchy tunes, but gradually forgets to include songs and focuses too much on common zombie tropes and a useless human villain subplot. Hits a few high notes, but ends flat despite emotional strives.
– (2018) – When lost in the jungle, a group of tourists take shelter in a temple where Nazi experiments are held. Has horror moments that pit various zombies against stereotypical characters, and they’re never afraid to spill blood. The main downside is the pace, as too many inactive spots linger and repetition arises near the end.
– (2016) – A group of soldiers take on the zombie armageddon with much glee and cursing. This is one of those occasions where if you don’t laugh within the first five minutes, you won’t laugh at all (unless you’re high). Constantly attempts jokes amid a common horror backdrop, but aside from a chuckle or two, nothing is funny and the bro jargon gets old fast.
– (2011) – Three friends break into an old woman’s house to steal her treasure, but uncover some savage secrets. Has a dark and moody tone that fits the subject matter, while some of the horror is viciously inventive. The main downside is the frustration in having no idea how or why anything related to the focal point is happening.
– (2014) – Zombies with soft skulls force the non-infected to outlast them by any means. Has a lot going on, moves fast, and is well-made from a directorial standpoint, but the story is a common drag. Emotional and humorous situations feel forced, and nothing relevant is known of any character aside from brief flashbacks.