3 from Hell

★★★☆ – (2019) – Notorious serial killers reassemble to continue their deviant ways. The first hour is an absolute riot that builds on the lore of the main cast while furthering their inventive insanity. The second half, however, merely mimics the third act of The Devil’s Rejects. Still, there are plenty of reasons to rejoice over the resurgence of characters whom are at their best when behaving their worst.

Hallows Eve

★½☆☆ – (2016) – Low level street thugs are abducted by masked strangers on Halloween night. Gets off to a rough start by focusing on despicable characters and their irritating choice in music. Doesn’t fare much better when the stakes of the plot are raised, as too much of what’s supposed to be serious becomes corny.

In the Tall Grass

★☆☆☆ – (2019) – A group of people become trapped in a field of grass that can manipulate time. Goes through varying stages of irritation, mostly dealing with perpetually shouting characters and pretentious plotting. Dialog hits a new low as well, and finding out what this is all about becomes less of a concern the more the nagging story progresses.

The Bride (2013)

★☆☆☆ – (2013) – A hopeful bride is resurrected to avenge herself against the hillbillies who killed her and her cheesy boyfriend. About as bad as a movie can get since every movement is unnaturally forced, from the godawful love story to the even worse crime story. A joyless pile of ineptitude that only manages to amuse during moments of blatant stupidity.

The Bride (2017)

★★☆☆ – (2017) – When visiting her’s fiance’s family, a young woman is sucked into his dark heritage. Hard to say what the point is, but this does offer some creepy imagery throughout. Too by-the-numbers to make any particular scene uncomfortable, but the evident ghastliness is appreciated.

The Bride (1973)

★★☆☆ – (1973) – A groom and his new woman are tormented by the wife he wronged on their wedding day. Provides glimpses of a strange mystery, but never does anything wholly absorbing. A short drag that goes ridiculous enough places to consider the entire experience imperfect but worthwhile.