– (2016) – Anthology of six stories that focus on a bullied teen, an evil spawn, a resurrected creature, fertility rituals, a family search, female revenge, a virtual reality device, and dual murderers, all taking place on separate holidays. Though there are brushes with amateurism and silliness, there are also moments of shock and tension. Nothing stands out as a classic, as even the best tales have lackluster outcomes, but this is enjoyable straight through.
– (1990) – A woman is stalked by a serial killer who wears a rubber mask, punches through chests with a claw, and talks like Freddy Krueger. While the murders are okay, the drama is stale beyond belief while the dialog is nauseating. Not an entire chore to get through, but doesn’t leave a lasting impression.
– (2016) – A pregnant woman is stalked by a mysterious female who kills anyone in the way of her obtaining a baby. The first two thirds follow the basic pattern of the (vastly superior) original, while the new conclusion in nothing short of a travesty. Badly acted throughout, but the biggest crime is losing every single trace of the first film’s point by relying on a safe outcome. A waste.
– (2018) – A zombie outbreak forces high school students to face the trials and tribulations of a vicious world. Begins as an ambitious musical with a few catchy tunes, but gradually forgets to include songs and focuses too much on common zombie tropes and a useless human villain subplot. Hits a few high notes, but ends flat despite emotional strives.
– (2018) – Anthology of five stories that focus on a twisted office party, demon knights, yuletide psychosis, a vengeful reindeer, and an alternate reality. The black box theater setup is different, but the stories themselves are bland and uninspiring. Most stories have no resolution, making this feel like a collection of thrown away ideas.
– (2018) – Three scantily clad chicks and Santa Claus battle Krampus on Christmas Eve. While this is zany and fast moving enough to warrant a decent time, it’s not nearly funny as it wants to be. Piles on a ton of jokes and plot scenarios, but by the end is merely a serviceable comedy with unmet aspirations.
– (2017) – A toy elf terrorizes an extremely small family to finish some sort of mischievous cycle. Despite showing signs of life toward the end, getting there is a total drag mainly because no actor seems eager to be working on this project. A drab experience with horror inclusions that could easily be avoided.
– (2018) – People added to a naughty list are picked off by those possessed by a toy elf. Begins with a scene featuring the worst child actors ever put to film, and somehow gets worse from there. An incoherent mess with unfocused advancements, pitiful murders, and irritating smirks that rip off Truth or Dare. Absolutely miserable.
– (2018) – Troubled young women performing community service on Christmas Eve end up working in the house of a killer. Gets off to an atrocious start, as a few characters are obnoxious beyond belief, but eventually settles into a dull rhythm of mediocrity. Horror doesn’t hit until after the hour mark, which doesn’t help matters.