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Little Bites

★½☆☆ – (2024) – A woman allows herself to be eaten by a demon as a means to protect her daughter. The premise is unique, but unique doesn’t necessarily equate high quality when the bulk of the output is so drab. The pace is too slow, the character plights are ordinary, the acting is hit and miss, and there’s absolutely zero suspense throughout.

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Deer Camp ’86

★★☆☆ – (2022) – A group of friends go hiking in a terrain where they’re picked off my a mysterious figure.  Looks and sounds nothing like 1986, so I’m not sure what that’s all about, but as far as narrative films are concerned, this is about as average as a movie can get.  The plot is ordinary, characters are either annoying or common, while the horror inclusions are incredibly dry.  Never outright bad, but never really involving.

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Salem’s Lot (2024)

★½☆☆ – (2024) – An author returns to his hometown to pen a new novel, but finds himself battling vampires instead. Lacks the key component of what made the book and prior films successful: character camaraderie. As such, this feels like any other run of the mill vampire flick. The rare spots of violence are okay, but too many ill-advised ideas are just plain corny. A fangless bore.

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WNUF Halloween Special

★★★☆ – (2013) – A faux news broadcast takes us inside the house of a notorious murder, but things don’t go as planned. An absolutely whimsical experience in presentation alone. This looks, feels, and sounds exactly like an 80’s telecast. Moreover, the structure is equal to a live event of any decade in that the bulk consists of commercials while the main event comes and goes as it pleases. It’s funny in all the right places, and succeeds admirably in its design.

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Terror Toons 4

★☆☆☆ – (2022) – Anthology of four stories that focus on killer bees, a mad scientist’s experiments, a demon summoned thorough a film script, and woodland deformities. It’s hard to imagine why this exists, or why anyone would lend their “talent” to it, since there could never have been an indication that this would end up as anything but terrible. The plots are inane while the green screen usage is entirely overmuch. Some of the F/X are ambitious, but they only serve to enhance pointless drivel.

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