Godzilla: King of the Monsters

★★☆☆ – (2019) – Giant monsters are unleashed to deplete the world population, but they’re more intent on wiping out each other. The human characters are forgettable thanks largely to a stale and corny script, but fans of the series won’t care. The entire point here are the F/X filled action scenes, which are pretty effective when not too dark or discombobulated.

Brightburn

★★☆☆ – (2019) – A married couple takes in a child from another world and later discover his malicious nature. Moves so fast in the early stages that none of the characters or the overall situation is fully established. While there are a few shocking and gruesome moments, there are also too many illogical and aggravating ones, mostly dealing with the rather dim parents. Worthwhile, but hollow.

The Killings at Outpost Zeta

★★☆☆ – (1980) – A space crew investigates a planet where colonists have been killed by a mostly unseen creature. Though the premise sounds like something straight out of Starship Troopers, the output doesn’t carry one ounce of that film’s energy. Instead, we’re treated to characters who talk and talk and talk before they’re killed via an alien’s point of view. The overall cheapness, however, adds some merit.

Edge of Tomorrow

★★★☆ – (2014) – A reluctant soldier is forced to relive his dying day over and again in order to figure out how to save the world from an alien invasion. A successful blend of Groundhog Day and Starship Troopers that has plenty of innovative ideas to call its own despite combined ideas. A tad dry in the area of soul, but packs in plenty of action wallops atop some truly humorous moments.

Island Claws

★★☆☆ – (1980) – Experiments on crabs to make them grow faster backfires when they become aggressive and/or tremendous. Though it’s hard to fear an enemy that moves so slow, the overall silliness of the terror they inflict is rather amusing. Has moments of cheesy fun, but this also suffers from a lot of sluggish downtime.

The Green Slime

★½☆☆ – (1968) – Astronauts unwittingly bring back an ooze from an asteroid that morphs into monsters. Though the goofy special F/X and creature designs do amuse, they’re all but wasted in a movie that refuses to move beyond the speed of molasses. Might have worked better if it displayed a pulse.

Robo Vampire

★½☆☆ – (1988) – A murdered cop is resurrected as a cyborg to take on a vampire amid a drug war. Works sort of well when dealing with the ridiculous horror aspects, but most of this involves stunningly dull action scenes and character interactions. Manages to amuse on occasion, but is more often prone to bore.