– (2015) – Two mermaids become nightclub singers and fall for (or murder) humans. There’s virtually no character development, as most of the subtitles are dedicated to awful song lyrics. The storytelling is quietly poetic, however, and enjoyment is gradually reached. Sometimes difficult to withstand, yet often hard to look away from.
– (2017) – A mute woman falls for a creature the government is holding captive as a means to win the space race. Certainly unusual, and does a great job creating sympathy for the central characters. For every moment of wonder, however, there are those of silliness and predictability. A B-movie with art house sensibilities.
– (2017) – Tornadoes of sharks summoned at Stonehenge whisk those who try to stop them to different parts of the world. Does squeeze out some fun in the pre-credit sequence, but afterwards takes a steady decline into repetition and boredom. Some actors do teach a valuable lesson though: don’t get too much plastic surgery.
– (2010) – A former soldier is hired to bring in a genetically altered shark/octopus alive, but all the thing wants to do is kill people. Nothing unlike the dozens of other mutant-animal-attack movies, but does begin with a sense of fun at the expense of stupidity. Slows an hour in and becomes repetitive, but does have some dopey highlights.
– (2017) – Two friends become stranded in an underwater cage beneath shark infested waters. Does manage a moment or two of suspense, and the overall dread is fitting, but the rancid dialog all but destroys the experience. The characters are annoying to the point where one can’t help but root for the sharks.