– (2013) – A group of friends decide to party in the realm of a raping, murdering yeti. Purposefully cheap and cheesy, and never pretends it’ll end up in the annals of credible filmmaking. Provides plenty of fun with some truly funny lines and sight gags. Not for everyone, but only runs 58-minutes.
– (1963) – A doctor develops the ability to see through people and objects, yet can’t figure out what to do with his power. A premise that could have been fun is instead ruined as the lead gradually becomes more and more of a jerk. Unfocused, to say the least, but the variety of ideas does keep things moving.
– (2014) – Zombies with soft skulls force the non-infected to outlast them by any means. Has a lot going on, moves fast, and is well-made from a directorial standpoint, but the story is a common drag. Emotional and humorous situations feel forced, and nothing relevant is known of any character aside from brief flashbacks.
– (2010) – A woman who longs for a specific home goes through extreme measures to clear out its occupants. The story is decent enough to carry the viewer from beginning to end, but the selling point by far is the violence. Some of the murders are among the most creative and hard to watch in the history of the slasher. Brutal enjoyment that should be watched on an empty stomach.
– (2012) – Two baseball players try to survive a living dead outbreak in rural America. Not the worst thing to happen to the zombie genre, but far from the best since it never does anything particularly new. The few characters are engaging at first, but like the story around them, they don’t take long to not do anything special.
– (2016) – A naked force of absolute evil makes life painfully difficult for the few people in her terrain. Gets off to a pitiful start before the horror takes over and the failed attempt to create credible characters wanes. The plot makes no sense, but the violence is so unabashedly disgusting it’s hard not to cringe or squirm through the impressive second half.
– (2013) – Jewelry store robbers, one of their young sons, and a cab driver end up the targets of witches who plan mankind’s fall. Begins as a humorous heist film with no traces of horror, but waiting for the witch scenario to take flight is worth the effort. Eventually does whatever it wants to do to provide shocks and humor, and ultimately stands out as a mark of pure lunacy.