– (2014) – A geek is pranked and humiliated, then exacts revenge on his wrongdoers. Nothing about the plot hasn’t been done a million times before, but this one gets by on its absurd sense of humor. Sloppy, but only 55-minutes and easy to sit through.
– (2016) – While trying to determine the cause of death of an unknown woman, a pathologist and his son unleash evil forces. For every instance that makes you say, “Well, duh,” there’s another that makes you say, “Oh, s**t!” Has some truly unique and tense inclusions, but isn’t exactly flawless in its logic.
– (2017) – A black man and his white girlfriend visit her home where sadistic events involving hypnotism transpire. Incredibly unique and unnerving during the first two thirds, with the proper blends of tension and humor. Comes close to falling apart in the muddled final act, but the theme of oppression is never lost.
– (2017) – A woman who’s been battling a corporate viral outbreak for many years returns to the epicenter of her problems to end all the madness. Follows the same formula as the previous entries by placing computerized technology over any human traits. A jumbled mess that has no flow, no involvement, and no reassurance that this is actually the end.
– (2016) – Whirlwinds of sharks (and cows) wreak havoc across the country, laying waste to washed up celebrities and those with no future. Gets off to an awesomely bombastic start in Las Vegas, but then settles into the safe corn this series thrives on. Goes to absurd places, and does have some fun vibes.
– (1973) – An average man who discovers a famous magician’s cloak becomes a famous magician. The plot to get things going is bad enough, but too many other aspects are thrown in to render this a conglomeration of bad scenes that form one nonsensical concoction. A complete mess that disappeared for a reason.
– (2009) – A priest who contracts a disease is transfused with vampire blood and further complicates the life of a sad housewife. A strange blend of unique and played out ideas that manages to hold attention through 134-minutes. Tonal shifts are a problem, as one moment is deadly serious while the next is overly comical, which hurts the overall emotional impact.
– (1999) – Death row guards face the usual trials and tribulations of their jobs, and a human miracle in an accused murderer. A lot of plot and characters are covered nearly word for word from the book, but the point feels underdeveloped. The finale is emotional, but getting there isn’t always as effective. Steady and unusual.