– (2019) – A murdered outcast returns to pick off the petty thugs who’ve wronged him. Taking place on Halloween is about the only area worth commending, as everything else is an unwelcome sack of cliches. Absolutely nothing here is remotely original, and comes across as a wannabe Rob Zombie movie with the budget of a gum wrapper.
– (1984) – Theater employees deal with the mysterious return of a killer who once stalked the same locale. Barely has a plot, as this is mainly built on random events in and outside the titular setting. Attempts humor, but isn’t the least bit funny. The horror, on the other hand, is laughable.
– (2019) – A group of friends travel to Sweden during a period of elongated daylight and run into dark troubles. Despite hogging up a ton of valuable minutes, this chooses to ramble through simplicity rather than establish deep credibility in characters. Whether anyone lives or dies is never a concern as this is mostly a matter of either finding the horror inclusions creepy or ludicrous.
– (2017) – Documentary that explores the making of a horror film from promising script to well received feature. Though nothing astounding or ground breaking is ever put forth, this is still an informative look at the creation of a beloved film. Has enough integral players to make up for the inclusion of those whose input isn’t required, which helps fuel authenticity.
– (2019) – A group of friends reunite 27 years after battling an evil force that feeds on fears. Does a good job showcasing an assortment of unique F/X sequences, but the human element is too shallow. The kids have become types, and by focusing too much on their past the reasons to save their hometown in the present is lost. Entirely too long, and could have used less false scares against characters we already know survive their childhoods.
– (2019) – A pizza delivery girl becomes the target of a Satanic cult that’s in need of a virginal sacrifice. Attempts zaniness at every turn, yet usually comes across as disjointed and unfunny. Moves fast and doesn’t last long, but misses the mark in both horror and camp by trying too hard to pass off the mundane plot as a silly comedy.
– (2019) – Anthology of four stories that focus on bed bugs, an antique necklace, a hermit, and a living hand. Slightly better than the previous collection as the tales here are more focused, but they’re still underwhelming and still take place in a MOTEL. Nothing stands out as great, but nothing is particularly miserable.
– (2016) – Anthology of six stories that focus on space chicks, the comatose, a skip tracer, identity swapping, murder contemplation, and a male-free future. A dreadful collection of lame tales that share two common traits: they all take place in a MOTEL and they all stink. The final story shows some signs of mild creativity, but the others merely follow trails of cliches.
– (2008) – Aliens that almost depleted Earth’s population return to deplete Earth’s population. Bottom of the barrel sci-fi junk that’s jam packed with atrocious acting, nauseating dialog, and inept F/X. Goes through every routine disaster movie motion while refusing to accomplish anything remotely original.
– (2019) – A pregnant actress has premonitions of her death in the days leading to her infamous murder. Would have worked just as well (or poorly) had the subject in question not been a historical figure, as the plot carries a purposeless vibe that never wavers. It’s not awful from a production standpoint, but the premise feels desperate for controversy.