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Good Boy

★★☆☆ – (2025) – A sickly man relocates to the house in which his grandfather died, and brings with him a dog that’s sensing apparitions. An okay experience from an experimental standpoint, since no other movie is filmed from the perspective of a silent canine. The dog himself is great, but the plot lacks suspense since we never know what’s real, what’s dreamed, or what’s sensed. There’s just no means of emotionally connecting to such a thin, unestablished design.

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Haunt Season

★½☆☆ – (2024) – Someone’s killing the workers of a haunted house attraction. There’s not much else to describe since the plot is as basic as can be, which means we’re left to deal with some truly dull characters amid truly dull situations. Most of this is padded with drama fueled by overmuch dialog and slightly above average acting. Comes dangerously close to colossally irritating.

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V/H/S/Halloween

★★☆☆ – (2025) – Anthology of six stories that focus on infected soda, a maternal witch, eyeball brutality, human candy, a child killer, and a really haunted “haunted house.” While each segment features at least some minimal highlight (usually gore), the overall output falls victim to a lack of anything memorable. The human side of things is always a low point, while the SOV bloodletting grew tiresome many, many entries ago.

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Hayride Slaughter

★★☆☆ – (2001) – Psychics are tasked with discovering the culprit behind murders taking place at a haunted house attraction. Spends most of its appropriately short length on lingering scenes of magic and conversation, but since the acting isn’t half bad they’re all easy to get through. The plot isn’t much, but the T&A will reward those patient enough to see this through.

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Halloween Horrors

★★☆☆ – (1992) – Someone’s kidnapping women for ransom, and making their lives miserable while awaiting small cash payments. As far as movies go, they don’t get much worse. As far as backyard curiosities go, they still don’t get much worse, but this does show attempts at making a movie without budgetary concerns. Oddly okay despite lacking every conceivable component a thriller should include.

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Screamboat

★★☆☆ – (2025) – Ferry passengers are forced to contend with a murderous mouse during the last trip of the night. The highlights consist of heavy gore, while the lowlights consist of trivial plotting. No character will ever be remembered, and the villain is too reminiscent of the killer in Leprechaun Returns. In other words, this is worthwhile for the violence, the violence, and the violence. Mildly fun, but instantly forgettable.

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