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Amityville: Where the Echo Lives

★☆☆☆ – (2024) – A young woman who lost her father investigates his death through psychics. Has nothing to do with Amityville, and even less to do with horror. The overabundance of surreal imagery (green screen nonsense) only renders this an art house flop or a failed film school product. The lead actress is game, but the pace is so slow the movie sometimes feels as though it’s moving backwards.

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Camp Blood: Clown Shark

★★☆☆ – (2024) – The severed head of a killer clown conjoins with a fish in a lake and becomes a murderous shark. There’s sort of a story involving the girl who killed that clown and the town that’s grateful for his demise, but that’s the only progression provided. Almost has a great homage to the Texas Chainsaw Massacre III trailer, but the overall cheapness sours that aspect as well.

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He Sees You When You’re Sleeping

★★☆☆ – (2024) – A kid who once saw Santa butcher his family is later tricked by his relatives to garner his inheritance, but nothing goes according to their plans. This looks professional, and the drama isn’t the worst, but only one character isn’t an unbearable louse, and she’s just a supporting role. Also suffers from tonal shifts, as the family plights and the slasher plot don’t perfectly gel. Means well, but misfires.

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Krampus: The Return

★★☆☆ – (2022) – A young woman who recently lost her brother to alleged suicide travels with her friends to the terrain of a monstrous killer. Moves slower than a loaded dump truck sliding uphill, but somewhere along the line we’re met with some decent acting, good-enough drama, and a nifty creature design. The murders aren’t very rewarding, and the conclusion isn’t very fulfilling, but there’s much worse in the Christmas/horror subgenre. (A.K.A. Return of Krampus.)

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Santastein

★★½☆ – (2023) – Santa, who’s accidentally killed by a child on Christmas, is resurrected with an affinity to kill. A tongue-in-cheek slasher that focuses more on comedy than terror, but as such results in a goofy good time. The pace is brisk, the characters are distinctive, and the preposterous plot never overstays it welcome.

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