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Bambi: The Reckoning

★☆☆☆ – (2025) – A mutated deer seeks revenge against the humans who killed his mother. A noisy undertaking that promotes volume over plot while never focusing on any character worthy enough to string any of the lame CGI mayhem together. Monster activity does occur, but concerns for the targets don’t exist. Short, but this bust, as well as the slew of other “twisted childhood” trainwrecks, can’t disappear soon enough.

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The Other (2025)

★★½☆ – (2025) – A couple that adopts a mute girl with a troubled past experience the dark chaos she brings with her. Takes a while to figure out what’s going on, but patience is ultimately rewarded while the story takes us through some truly bonkers phases. The characters aren’t the most well-drawn, but they’re realistic enough to keep the horror aspects somewhat believable. Few will find this suspenseful, but it sure is intriguing.

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Weapons

★★★☆ – (2025) – After seventeen students go missing from one classroom, individual members of their community are explored to sort out the mystery. Works best in the early stages when elaborate characters take the spotlight over the intriguing plot. Once the story hits its stride, however, the weight of humanity is cast aside for fun, batshit crazy progressions. Always absorbing and unpredictable, but emotional investments are ultimately lost when asking: what exactly is the point?

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28 Years Later

★½☆☆ – (2025) – Survivors of a zombie outbreak travel from an island to the mainland to hunt mutants. There’s barely enough of a plot to consider this a narrative film, as the only conflict is self-inflicted. The basic gist is this: characters become the prey of monsters by unwisely tormenting them. Eventually, the erratic action all comes down to philosophical ramblings. An unabsorbing dud.

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Killing Ground

★☆☆☆ – (2016) – A couple goes camping in terrain where another couple was killed but their toddler was left alive. Goes back and forth between what happened and what’s happening, but irritates in either timeline. A dull, joyless, and nihilistic experience that reiterates depressing themes without a single mark if ingenuity. Tries so hard to disturb that it forgets that every moment has been done before.

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Mutilator 2

★★☆☆ – (2023) – Cast and crew members are picked off by an unknown aggressor while filming a remake of The Mutilator. Matches the dramatic campiness of the first film, but doesn’t hold a candle to the former’s relentless gore. There’s certainly violence, especially toward the end, but nothing as excruciatingly vicious as what’s come before. When all is said and done, there’s really no need for this film’s existence, but there are worse ways to rehash old memories.

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