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Amityville Aliens

★☆☆☆ – (2026) – Anthology of five stories that focus on disco-clad aliens, Halloween night aliens, aliens fighting thugs, an alien eating everything in sight, to a news segment about aliens. Begins with a telling of what actually happened within the coveted Amityville house, but then shifts gears toward short films that have nothing to do with the location. Despite some slight creative ambitions, this is just another dreadful means for friends to “make a movie” and pretend they’ll succeed in the industry. Fat chance, suckers.

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Frenzy Moon

★½☆☆ – (2025) – A group of friends stay at a cabin near where werewolves roam. The main answer: absolutely nothing. The main question: is anything about this remotely unique? Has a few brushes with cheese, notably a monster that that’s not unlike a hairy sock puppet, but most of this is remarkably stagnant. Much of the acting is stiff, and the lone gunman sounds too much like Jigsaw to take seriously. Would have worked better with more goofiness.

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Minnie’s Midnight Massacre

★★☆☆ – (2026) – Several years after seventh grade students torment a girl named Winnie Minnie, she plots her revenger against them while dressed as a mouse. Follows the same basic patterns as approximately five-thousand other revenge slashers, yet this one comes close to working. The acting isn’t half bad, some humor lands, and the finale does an okay job of setting up a sequel. The main problem is that even at its best this is merely okay.

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Ready or Not 2: Here I Come

★★½☆ – (2026) – Two sisters fall prey to a cult that wants them dead over family purposes. Picks up where the previous entry left off, and straightaway suffers from the same issue: it’s not as funny as intended, especially when most of the “comedy” is the result of slapstick buffoonery. However, when this stops acting childish and takes itself seriously, there’s much to enjoy. The dialog between sisters is rank and the plot is a basic rehash of the original, but it moves fast, spills blood, and darkens enough toward the end to fully entertain.

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Amityville: La Llorona

★☆☆☆ – (2025) – A middle aged pansy relies on the help of his zen partner to get over the deaths of his father and ex-girlfriend; then enters a ghost to make matters even more pathetic. This is okay at first in how uncomfortable the lead actors make every moment feel, but once the supposed “horror” begins unintentional hysterics reign in. Never forms a point, and only serves as a reminder as to why toddlers (or unserious adults) shouldn’t make movies.

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Amityville Chupacabra

★☆☆☆ – (2025) – A few unsightly scientists engage with an escaped creature they ultimately intend to erase from their dimension. A no-budget snore with rotten acting, a poorly conceived script, an overly-bright ambiance, and a monster that resembles a broken Spirit Halloween animatronic. Pure junk (that has very little to do with the titular house), and quickly becomes a never-fun experience that (luckily) doesn’t last long.

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