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Sequel: Cruel Summer – Part II

★☆☆☆ – (2022) – Survivors of multiple murders intend to turn their trauma into a stage play to cope with their traumas, while a masked killer murders random people. An incohesive pile of gibberish that has too much going on at once while never clarifying a single event. There are hardly any deaths and a distinct lack of all-around talent. Annoying.

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Cruel Summer

★½☆☆ – (2021) – High school juniors gather for one last shot at fun, but find themselves terrorized by a masked killer and his hick family. While this does feature some cheap gore to keep eyes open, everything else is dreadfully languid. It’s not the worst film ever made, but it is on par with every other backyard slasher that pretends it’s new while ripping off a hundred ideas from better movies.

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Coffintooth

★★☆☆ – (2024) – A hillbilly family is out an about tormenting people on Halloween Eve. Has hardly any holiday atmosphere, and as such feels more akin to summer flicks along the lines of The Texas Chainsaw Massacre (which this consistently rips off). Far from great but, for what it’s worth, does have an abundance of cheap gore and gratuitous nudity.

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Sorceress II: The Temptress

★★☆☆ – (1997) – A witch allows women to infiltrate the dreams of men in order to steal their souls. Mainly feels like a soap opera regarding players of the cosmetic industry, and too infrequently features something that places this in the horror genre. Not even the concluding sorceress battle can save this from the the dregs, but it’s short and has one constant: breast implants.

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Sorceress

★★☆☆ – (1995) – A man has visions of the woman he killed on the night she summoned the death of a lawyer. Mainly consists of softcore smut, since the plot always takes a backseat to lusting characters. Kind of gets into horror near the end, but two victims getting bludgeoned with a sauna rock isn’t exactly enthralling. Short, but often feel endless.

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Summerween

★½☆☆ – (2026) – A killer clown escapes from a mental facility and finds his way to a party attended by a cop’s daughter. This is little more than a standard slasher that could have been slightly unique if it lived up to its criminally wasted title. What exactly is Summerween? Why is it celebrated? Why are the characters so eager to throw a great party over its existence? Nothing of the sort is explained. Instead, we’re treated to just another humdrum clown on a rampage flick.

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