– (1997) – A group of female vigilantes seek revenge against deplorable men, but accidentally kill a cop. The message is clear (girls have power) but the execution is hindered by the filmmaker’s lack of originality. Decent as far as low budget outings go, but this is sloppily handled, lacking in singular character developments, and too unrealistic.
– (1986) – A maimed scientist meshes with an indestructible space suit and becomes the target of his employers. Predates the similar Robocop concept, but goes nowhere since the title character doesn’t do anything motivational (a guy becomes a thing, bad actors hunt said thing, the thing becomes a legend). Sports little violence, little drama, and less reasons to exist.
– (2000) – A man willingly becomes a monster to avenge the death of his girlfriend, then finds the deal isn’t so simple. Has a great supporting cast and ambitious F/X, but the lead is lousy and the plot too convoluted. Reminds of Spawn, another dud from hell.
– (2015) – An American scout in the 1820s is left for dead and makes his way home through dangerous terrain. Gets off to a rip-roaring start, but slows considerably after the CGI bear attack. Leo is fair game, though he goes from punished to impervious awfully fast. Ultimately implausible and thin, but getting through all 156-minutes is relatively easy.
– (2015) – A successful man relocates to his former state and runs into someone whose life he once made hell. The story is tight and involving straight through, but there are a few senseless instances here and there. The conclusion might have worked better if not already seen in Sleep Tight, but the character dynamics are commendable.
– (2007) – Someone’s picking off high school students thanks to the past crimes of their parents. Sometimes feels like a legit slasher when developing characters and plot, but most always shoots itself in the foot with lousy editing and woeful acting. Causes eyes to roll, but is never a trial to outlast.