– (1973) – A swashbuckling sailor travels to an island for treasure while encountering a magician with an evil agenda. The few action scenes are okay, as the F/X are impressive, but there’s virtually no point to most every activity. Characters are too incredibly thin and the pace induces yawns.
– (1958) – A swashbuckling sailor helps a devious magician reclaim his magic lamp in a land of monsters. Though the human element is paper thin, and the pace often sluggish, this deserves a ton of respect for the effective creature moments. Deservedly renown for its F/X, while the plot is a simple means to get to the stop-motion highlights.
– (2016) – A task force struggles to locate six books that can cause the death of anyone inscribed within. Though the initial idea still holds intrigue, the first hour is overloaded with dozens of details regarding convoluted rules. An overlong mishmash of names and identities that serve as a reminder of how this series is more effective when focused.
– (2017) – A space crew hones in on a beacon sent from a planet with reproduction issues. Takes a while to get going, and has plenty of slow spots, but does manage to excite on occasion. Answers questions posed in Prometheus, but not in an air tight manner. Certainly entertaining, and worthy of the franchise.
– (2017) – A military guided expedition to an unclaimed island leads to the discovery of a massive ape. Gets off to a rip-roaring start, but after the first major action sequence, the pace takes a serious hit. Separate parties wander toward a rendezvous point amid sporadic creature battles, yet only one character has a background while others go missing for long stretches. The human scope is empty, but the mystique of Kong is top notch.
– (1976) – A female film director seeks a male for her latest low budget movie, which happens to upset a giant ape. Strives hard for cult consideration, and might garner attention as a curiosity, but too much of this is flat out dull. The jokes that work occasionally work well, but the failing jokes leave behind a wretched stench.
– (2017) – A woman who’s been battling a corporate viral outbreak for many years returns to the epicenter of her problems to end all the madness. Follows the same formula as the previous entries by placing computerized technology over any human traits. A jumbled mess that has no flow, no involvement, and no reassurance that this is actually the end.
– (2016) – A vampire in a shiny leather coat aims to stop her kind from fighting werewolves in shiny leather coats. Yet another preposterous, pompous, and pretentious entry in a never-ending series that continues to take itself too seriously despite a severe lack of originality. Bloated CGI mumbo jumbo for an audience that couldn’t possible be asking for more entries.